Treabar

Author: Treabar

  • Feng Jin’s journey to find warmth and light in life on the Star Dome Railway

    Feng Jin, the wind-attributed girl from the Star Dome Railway world, is like a gentle spring breeze, with a touch of sorrow and deep hope. Her growth materials, like the bits and pieces picked up on the journey of life, are not only the accumulation of strength, but also the warmth and brightness of the soul.

    On this vast Star Dome Railway, Feng Jin grows up step by step. The “fear that crushes flesh and blood” she needs is like the test of life, the fear and anxiety that make our hearts tremble. However, it is these fears that remind her and us: Although life is sad, it is precisely because of this that it is more precious. Fear is not an obstacle, but a force that drives us to grow. She took on these heavy tests with her weak shoulders, and slowly, she became stronger.

    The material of “courage tearing the chest” is like the flame of the soul, illuminating the road ahead. In life, courage allows us to face the unknown and dare to embrace the future. Every step of Feng Jin’s growth is inseparable from the support of this courage. The tear in the chest is not a symbol of fragility, but a trace of growth, the most authentic mark of life. She uses her own story to teach us how to face the cruelty of the world with a soft heart.

    “Glory baptizes the body” is the light of Feng Jin’s soul, the calmness and composure after going through wind and rain. She does not pursue false fame and profit. Glory is more of an inner peace and satisfaction, and the respect and recognition she gets after hard work. She uses this glory to warm herself and illuminate others. Her exclusive light cone “May the rainbow light stay in the sky forever” is her dream and hope. That light, like a rainbow in the sky, crosses the dark clouds and brings warmth and blessings.

    On the road to growth, she needs to collect “seeds of thinking”, “manas sprouts” and “alayahua”, which seem to be the nutrients of the soul, and the wisdom and strength given to her by life. Life is the accumulation of bits and pieces. Feng Jin teaches us how to cherish every warmth and every touch.

    “The sound of the same wish” and “the footprints of fate” are more like the song and journey of her life, the road she has walked and the marks she has left. In life, each of us has our own footprints, and every experience is engraved with the mark of growth. Feng Jin’s journey, although full of twists and turns, is gentle and beautiful. Her travel materials also include “travel experience” and “adventure records”, which are all witnesses of her rich life and her expectations and confidence in the future.

    This is not just a guide for the growth of characters in the game, but more like a warm poem of life. Feng Jin’s story tells us: no matter how much fear and suffering we encounter, as long as we have courage and hope, life will bloom the most beautiful flowers. She is the wind, the warmth that gently blows our hearts, and the light that penetrates the darkness.

    May Feng Jin’s story, like a lamp, illuminate our way forward. May we all find our own light and heat in our own life trajectory, warm ourselves, and warm others. At the end of the Star Dome Railway is a bright world, just like the one Feng Jin brought us, full of love and hope.

  • Feng Jin’s growth materials are like fragments of the starry sky, shining with the brilliance of life

    Feng Jin is the gentle wind on the Starry Sky Railway, carrying the interweaving of dreams and reality, gently passing through the night sky. Her growth materials are like countless fragments of stars, shining with cold and warm brilliance. Those names, like the flowing rhythm in the lines of poetry, tell the secrets of life and the whispers of the soul.

    “Fear crushes flesh and blood”, this is not only the pain of growth, but also a kind of inevitable breakage. Flesh and blood are crushed, but new vitality overflows from the cracks. It is very much like the tender buds under the residual snow in winter. Although it is cold, it breeds infinite possibilities. Feng Jin’s path is the path of light pieced together by these broken pains.

    “Courage tears the chest”, like a gust of wind, tearing open the calm lake and causing ripples. Courage here is not a noisy shout, but a silently flowing river, which penetrates into every cell. With this courage, she broke through her own boundaries, passed through the dark fog, and touched the starlight in the deepest part of her heart.

    “Glory Baptizes the Body”, this is a cleansing of the soul, a gift of starlight pouring down on her body. Glory is not an illusory halo, but the purity deep in the heart, the tenacity that remains unchanged after suffering. Feng Jin’s body was baptized by glory, and her soul shone like the morning light, gentle and firm.

    The exclusive light cone “May the rainbow light stay in the sky forever” is like a dreamy rainbow, set up under the boundless starry sky. It is not only a symbol of strength, but also a carrier of hope. Feng Jin looked up at this rainbow light, feeling it gently embrace her, giving her endless warmth and courage. That rainbow light passed through the void and also through the depths of her soul.

    “The seeds of thought”, “the sprouts of manas”, and “the Alaya flower” are like spring flower seeds, quietly buried deep in the earth. They are waiting for Feng Jin to awaken them with her delicate mind, waiting for her to touch them with her gentle hands, and inject the power of life into every leaf vein. Every seed is a call for a new life, and every sprout is a whisper to the future.

    “The legacy of the same wish” and “the footprints of fate” are the paths Feng Jin has walked and the poems of her heart. She uses these notes to weave her own song of destiny. Every step of the footprints flickers in the night sky, and every legacy floats in the wind. Her story is like the flow of stars, stretching endlessly.

    These materials are not only tools for growth, but also the texture of Feng Jin’s life. They are like stars, embellishing her journey and allowing her to find direction in the dark. Her growth is not a lonely journey, but a poem of dialogue with the starry sky, and a light and shadow dancing in the river of time.

    Feng Jin’s story reminds me of those moments when I looked up at the starry sky at night. Those twinkling stars may be countless souls like her, glowing faintly in the universe. She used her own light to illuminate the road ahead and warm the travelers on the road.

    At the end of the Starry Sky Railway, Feng Jin will become an eternal light, engraved on the stars. The material for her growth is the fragments of her soul and the poetry of her life. I hope that every soul walking on the Starry Sky Railway can find their own light, shining forever and warming forever.

  • Feng Jin steps into the Starry Sky Railway, challenges fate, and achieves an immortal legend

    On this endless Starry Sky Railway, Feng Jin’s name is like a meteor that cuts through the darkness, shining but short, but unforgettable for a long time. She is not only the memory fate character with wind attribute, but also a peerless genius in the world. With her unique wisdom and courage, her growth is destined to be an extraordinary legend. Her road seems to be destined to go through countless thorns and tests, but because of this, she will write her own wonderful chapter in the world of fate.

    Feng Jin’s journey is not smooth sailing. Every breakthrough and growth of her is the result of countless choices and trials. She is not born to be famous in one fell swoop. Every breakthrough of hers is a challenge and transcendence to her heart. Like those fledgling heroes in the world, every step of Feng Jin is accompanied by an unyielding force.

    She needs 56 pieces of “fear crushing flesh and blood”, which is undoubtedly the first big challenge she encounters on the road of practice. Fear is a topic that every Jianghu person cannot avoid. Those partners who once fought side by side with her may be able to forget or overcome it, but fear has never really left. It is hidden in the aftermath of every battle and in the heartbeat of every moment. Feng Jin has long seen that only by defeating fear with strength can one stand firm in this ruthless world. She is very much like those young people who have just entered the Jianghu, with an immortal ideal burning in her heart, but being beaten by the reality. Every piece of flesh and blood fragments confirms her indomitable and determination in the face of fate.

    The second test that Feng Jin has to go through is “courage to tear the chest”, which is not only a challenge, but also a baptism. Every time the chest is torn, a fearless power is born in Feng Jin’s heart. Most people in the Jianghu have long been accustomed to killing and betrayal, but only those heroes who can draw strength from every conflict can eventually achieve immortal legends. Feng Jin’s courage is not innate. She has never sunk because of failure. Instead, she has strengthened her faith in every blow. She knows that only those who dare to face the fear deep in their hearts are qualified to reach the top of the world.

    And the rise of every hero is inseparable from the baptism of glory. Feng Jin’s “body baptized by glory” is the essence she has accumulated along the way. Glory does not lie in the praise of the outside world, but in the inner growth brought by every experience. Feng Jin’s glory is her persistence when facing difficulties and obstacles alone, and it is the result of her constant self-honing and unremitting pursuit. Just like every hero in the world, only after experiencing countless challenges and pains can you get real glory. And Feng Jin, precisely in these hardships, gradually transformed into who she is today.

    However, to truly achieve a great cause, courage and glory alone are not enough, but more of the expectation and pursuit of the future. Feng Jin’s “May the rainbow light stay in the sky forever” is the eternal belief and light in her heart. She knows that the road ahead is full of thorns, but she is willing to use her own strength to illuminate a path to light for herself, her partners, and the world. Her light is like a pearl in the world of martial arts. Although small, it is enough to illuminate the direction of everyone’s progress.

    Feng Jin is not satisfied with her current situation. She constantly seeks growth in breakthroughs. On this Star Dome Railway, every step she takes is an expectation for the future. She needs to gradually strengthen herself by constantly collecting materials such as “Fear Tramples Flesh and Blood”, “Courage Tears Chest”, and “Glory Baptizes Body”. These materials represent her lifelong practice and growth. She must use this as a cornerstone to gradually move towards her peak. And these materials are the starting point for her to move towards glory again and again.

    Just like a hero in the world of martial arts, Feng Jin is not alone. Behind her, there are countless people who support her, and the teammate who once fought and bled side by side with her. Everyone is a witness and promoter of her growth. And she will continue to fight with her partners on this Star Dome Railway and fight for her ideals together.

    Her growth is the result of countless personal efforts and countless choices. And she will eventually create her own legend on this road. No matter how bumpy the road ahead is, Feng Jin will rely on her wisdom, courage and glory to eventually create an immortal legend of her own.

    This Star Dome Railway will eventually shine because of her name, and Feng Jin will also write the most moving chapter under this vast starry sky.

  • Feel the secret trajectory of growth, loneliness and the flow of time from the complex materials of Mingchao Xiakong

    In the virtual world, there is a character named Xiakong, whose growth depends on a bunch of seemingly messy but meticulous materials-low-frequency tidal erosion sail core, medium-frequency crystallized phlogiston, burning phosphorus bone, golden wool… These names have a sense of strangeness, but they are inexplicably fascinating. Like the blurred and realistic stories written by Haruki Murakami, Xiakong’s development process is not just a simple stacking of numbers, but like the secret growth trajectories in life, lonely, slow, but full of the poetic flow of time.

    Xiakong’s growth path requires a lot of resource accumulation. This process reminds me of the long time that the characters in Haruki Murakami’s books spend alone. In order to train her from level 0 to the peak, game players need to repeatedly collect these “materials” in different maps, just like we repeatedly experience those seemingly meaningless waiting and persistence in reality. Those low-frequency to full-frequency tidal erosion sail cores, with a sense of time rhythm, seem to be the experience and perception accumulated in growth, slowly and profoundly affecting us.

    The name “Fen Phosphorus Bone” sounds like a burning pain, just like the inner scars and struggles experienced by the characters in Haruki Murakami’s works. Growth is never an easy journey, but a purgatory with pain and loss. Defeating the Sighing Ancient Dragon and obtaining the Burning Phosphorus Bone is like facing the fear and pain deep in your heart. In those stories, lonely people try to reconcile with their own shadows. Xia Kong’s growth is also an inner journey, a process of finding himself in pain.

    The collection and restrictions of the “Golden Fleece” are very similar to the unattainable dreams and hopes in life. The limited number of purchases symbolizes the limitations of reality, and players have to work hard again and again for the characters in their dreams. In Haruki Murakami’s writings, dreams are always vague and close, but real and far away. The characters in his works often wander between reality and fantasy, and Xia Kong’s development process is a game-like presentation of this situation.

    The emergence of recharge discount codes seems to be a silent sigh in modern society. People use money to exchange for virtual satisfaction and short-term escape, but that is never the true appearance of freedom. In Haruki Murakami’s novels, modern people’s loneliness and anxiety are everywhere. Money and material can only temporarily heal the wounds, but cannot heal the soul. The discount code in the game can’t help but remind people of the loss and search of modern people in the material world.

    The upgrade of the resonance loop material is like a ladder in life. Every step requires dedication, waiting and accumulation, but in the end it brings not only growth, but also a deep understanding of the meaning of life. Haruki Murakami often writes about the flow of time and the fragments of memory. Those fragments seem to be disordered, but they are connected into a river of life. Every material of Xia Kong’s growth, just like these fragments, connects our scattered years and experiences.

    In the process of collecting materials and cultivating characters, players and games have a peculiar resonance, which is not only technical, but also emotional. The lonely characters in Haruki Murakami’s works are always looking for some kind of inner resonance and understanding. Xia Kong’s growth may also be a metaphor for the player’s inner desire for self-affirmation and spiritual freedom.

    In the end, the material list of Xiakong is not cold numbers and props, but a poem full of time, loneliness and growth philosophy. Like the stories written by Haruki Murakami, it is both real and dreamy, leading us to find our own summer sky outside the hustle and bustle. Perhaps each of our lives is made up of these trivial “materials”, which grow little by little over the long years and eventually converge into a unique and rich self.

  • Exploring the subtle reflection of the contemporary virtual world and real life from the details of Xiakong materials

    The recently popular mobile game “Mingchao” has welcomed the new five-star resonator “Xiakong”. The list of materials required for her breakthrough, skills and exclusive weapons is very detailed and requires a lot of effort from players. However, a closer look at the complex way to obtain these materials and the immersive experience of players can’t help but remind people of the seemingly weak but solid boundary between the virtual world and real life.

    The game world and the real world are originally two parallel and non-intersecting categories, but now they seem to be cleverly woven into an intricate network by layers of data and activity rules. “Xiakong” is like a ladder of progressive levels, from the primary low-frequency tide erosion sail core to the medium-high frequency and even full-frequency materials, which are like a ladder of progressive levels, step by step and layer by layer, which seems to be the fame and fortune in life that rises step by step and accumulates layer by layer. Although in the name of the game, it actually repeats the endless labor of reality.

    The “Burning Phosphorus Bones” come from a powerful enemy called the “Ancient Sighing Dragon”, and players need to do their best to fight for them; the “Golden Fleece” needs to be looted in the Linaxi Tower or purchased with shells, and there is a limit on the number, which is quite like “court limits and Jiedu control”. Such a setting inevitably reminds people of the sayings of “thresholds” and “levels” in the officialdom of ancient and modern times. Players are like officials, repeatedly intercepted by layers of levels, and work hard to get the hope of “promotion”.

    Speaking of recharge discounts, the 22% discount promoted by Treabar.com is a typical modern business strategy, which actually induces players to keep investing money in exchange for the so-called “rapid growth” shortcut. This situation is just like the common practice of “spending money to buy time” and “capital squeezing leisure” in today’s society. Players are always pulled by the word “recharge” in the double gap between virtual and reality, and they can’t escape the clutches of “capital operation”.

    Isn’t the process of playing the role of “Xia Kong” a metaphorical interpretation of modern people? In the game, fighting monsters and upgrading, accumulating materials, it seems that young people in reality work overtime and run around, dreaming of the “90-level” self, the “Xia Kong” who can truly break through the shackles of self. However, the seemingly fair mechanism in the game is actually another form of “class solidification”: those who can invest more time and money can pass the level faster and gain glory; on the contrary, they can only sigh in despair, and over time they will feel powerless.

    It cannot be ignored that the game designers use extremely sophisticated mechanisms to lock players into repeated cycles of collection and challenges, creating a “sense of dependence” and “sense of investment”, making players willing to accept or even actively seek recharge and time investment. Here, the relationship between people and games is no longer a simple entertainment and being entertained, but a dual interweaving of economy and psychology. Capital uses the game as a carrier to create a virtual “ladder” to drive players to climb up continuously.

    Let’s look at the detailed names of dozens of materials in the game, such as “containing impure crystallized phlogiston”, “roughly extracted crystallized phlogiston”, “rectified crystallized phlogiston”, “high-purity crystallized phlogiston”, etc. Although they sound awkward at first, they cleverly decorate the game world with scientific terms, giving people the illusion of “real existence”. This reminds us of the endless “proper terms” in the academic world, which build an impenetrable fog of knowledge. It seems that only by mastering these terms can we be considered as real “insiders”. In the game, players must collect these materials one by one, just like people in reality are firmly bound by knowledge systems and professional terms and cannot break free.

    In addition, the cooking prop “stuffed meat tofu” provided by the game for players can increase the material drop rate by 50% when defeating the enemy, which is like a symbol of “efficiency improvement” in reality. This detail also reflects the general recognition of the value of “efficiency first” in contemporary society. When people pursue efficient output, they often ignore the emotional experience and inner feelings in the process, and finally fall into mechanical “production” and “consumption”.

    In summary, the acquisition of the “Summer Sky” material in “Ming Chao” is, on the surface, a technical detail of game design, but it deeply reflects the mentality of young people in modern society facing the dual pressures of virtuality and reality. For them, games are both a safe haven and a battlefield; both a spiritual sustenance and a capital trap.

    Perhaps we should see a more real metaphor of life from this virtual material list: on the road to growth and breakthrough, young people need more understanding and support, rather than being forced into an endless cycle of “recharge” and “killing monsters”? Only in this way can we break through the barriers of the virtual world and regain the freedom and brightness of real life.

    If Qian Zhongshu had such a description, he would have ridiculed the absurdity of this era with his unique wisdom and humor, reminding people not to be trapped by illusions and strive to find the free world that truly belongs to them.

  • Experience the impermanence of fate and the perseverance of life in the firelight of the popcorn pot

    The popcorn pot in Ju Fufu’s hand looks simple on the outside, but it becomes a sharp weapon to fight against fate in her hands. Her knocking movements were hurried at first, as if those hurried days in life were so suffocating. The first three hammers were sonorous and powerful, and each sound seemed to be hitting the iron door of fate and the invisible cage. The fourth hammer slowed down and fell heavily, as if in contemplation, and as if enduring.

    Life is like this, fast and slow, with slowness mixed in the rush. Ju Fufu’s movements revealed a kind of helplessness, but she did not stop, because she knew that stopping would mean failure. She spun and dodged, avoiding waves of attacks, sometimes from the outside, sometimes from the heart. Every turn she made seemed to be dealing with fate, and she would not give up easily even if she was scarred.

    At the moment of “opening the pot”, the fire burst out, and the popcorn exploded in the pot. The crackling sound was very much like the sudden burst of hope and joy in life. But the fire illuminated not only laughter, but also shadows. There was anxiety and stubbornness in the eyes of the teammates. Under the fire, they kept looking for reasons to live. The popcorn pot is not only a weapon, but also a short warm harbor for them, a rare bit of heat in this cold world.

    The wound system on Ju Fufu’s body is a symbol of pain in life. Those scars are not decorations, but bloody memories. Her body is like a broken porcelain, every crack is a past suffering, and every touch brings severe pain. She does not expect to escape these pains, because pain is part of life. She accepts them and even learns to use pain as strength to move forward.

    Her support skills are like a ray of warm sunshine. Even if she is wounded, she still does not forget to help others. Her quick support, parry support, and the additional attack that is always ready are like the unexpected kindness and warmth in life, making people feel that although the world is cruel, there are always people willing to lend a hand. In her hands, the popcorn pot is not only a tool to kill the enemy, but also a bridge connecting each other’s hearts.

    The moment when the finishing move is released is the most intense outburst in her life. The flames burned so hot that the popcorn scattered like a meteor. At that moment, she poured out all her anger, unwillingness and hope. What shines in the fire is her unyielding soul and her desire for the future. She knows that no matter how painful it is, no matter how bumpy the road ahead is, she must burn herself and illuminate others.

    The battle is over, and the embers in the pot have not yet been extinguished. The embers symbolize the continuation and hope of life. The back of Ju Fufu gradually fades away, but her story is deeply engraved in everyone’s heart. She taught us that even if we are in a desperate situation, we should not easily give up the flame in our hearts. We cannot change the cruelty and ruthlessness of life, but we can choose to be strong and embrace it with a warm heart.

    In everyone’s life, there is a “popcorn pot”. Maybe it is just a simple tool, but it represents our courage to fight against fate. Ju Fufu tells us that to live is to keep knocking, even if the knife is sharp and the fire is dazzling, we must persist to the end. Because in the fire, there is the purest tenacity and warmth of life.

    In the face of the cruelty and impermanence of this reality, we are all Ju Fufu, and we all have our own battlefields and stories. May we all be like her, with scars and hope, continue to knock on the “pot lid” of life, so that the fire of life will never go out.

  • Every inch of time and delicate emotions on Feng Jin’s growth path

    Feng Jin is the breeze blowing on the Star Dome Railway, but it is like a deep memory, gentle but tenacious. Her appearance is not just a journey in the game, but more like an inner journey of growth and self-exploration. In order to let every pioneer who is about to welcome her better understand her, we have carefully sorted out the various materials and stories behind Feng Jin’s growth. These materials are not just cold numbers, but more like the mark of Feng Jin’s soul growth, carrying her fear, courage and glory.

    Growth is a long and difficult process. Feng Jin has to go through 56 pieces of “fear crushing flesh and blood”. This is not a simple accumulation of materials, but her struggle and victory in the face of fear. Every piece of flesh and blood fragment symbolizes her direct view and transcendence of the darkness in her heart. Fear may be heavy, but only by learning to live with it can growth continue.

    Next, there are 71 pieces of “Courage Tearing the Chest”. This material reminds us that courage is not fearlessness, but the power to choose to move forward in fear and anxiety. Feng Jin’s courage is the manifestation of her breaking through her own limitations again and again. She grows up in the tearing and becomes stronger in the pain. This courage, like warm light, penetrates the haze and illuminates the way forward.

    73 pieces of “Glory Baptizes the Body” represent her transformation after experiencing wind and rain. Glory is not vanity, but a kind of satisfaction and self-affirmation deep in the heart. Feng Jin gained this glory in the ups and downs, and her body was baptized, appearing more flexible and full of strength. Her growth tells us that only by experiencing suffering can we gain true respect and value.

    “A Cup of Intoxication” is a unique and precious seasoning in her life. 65 pieces of this kind of material come from her experience in the “Pinoconi Grand Theater”, which is the melting pot of her spirit and the place where she talks with the past and the future. The intoxication era is a feeling for the past and a hope for the future. It allows Feng Jin to find her own direction in confusion, with a sense of calmness and determination.

    Her exclusive light cone “May the rainbow light stay in the sky forever” is not only an equipment, but also a symbol of her inner light. To upgrade it to the highest level, it requires a variety of precious materials and countless efforts. This light is not only power, but also hope, and her eternal expectation for the future. Every upgrade is like a purification and improvement of her soul, bringing new life energy.

    Feng Jin’s breakthrough process is the deepening of her self-cognition. From the initial weakness to continuous growth, she used the fragments of fear, courage, and glory to piece together a strong self. Credit points are the testimony of her efforts and the footprints of her struggle in the world. Each stage of improvement is accompanied by the struggle and nirvana of the soul, witnessing her transformation from confusion to determination.

    In the process of growth, Feng Jin collected many seemingly ordinary but powerful materials-the seeds of thinking, the sprouts of manas, and the Alaya. They are the nutrients of her spiritual world, nourishing her heart and helping her face the ever-changing fate. Those echoes of the same wish and the footprints of fate are fragments of her memory, a bridge for her to communicate with the world, and the most authentic echo from the depths of her soul.

    Feng Jin’s story is like a delicate painting, depicting a life moving forward in the wind and rain. Her wind not only blows on the Starry Sky Railway, but also blows our hearts. She teaches us to grow in fear, be brave in pain, and find our own glory in suffering. She uses her story to soothe those hearts that are also groping in the dark.

    We experience her growth with her, shine with her light cone, and feel the joy and hope brought by her every breakthrough. Collecting materials, upgrading and growing, this is not only the gameplay of the game, but also a metaphor about life, a deep understanding of persistence and love.

    May Feng Jin’s wind, with her stories and warmth, pass through every corner of the Starry Sky Railway and warm every lonely traveler. Her growth is a tribute to life and a tribute to the future. We are moved by her, and we are determined because of her, and continue to move forward under the starlight.

  • Discussing the irony and metaphor of the mental state of modern people from the skill of Ju Fufu’s Popcorn Pot

    Mr. Qian Zhongshu is famous for his profound learning, witty writing and humorous irony. His works are exquisitely written, and often reveal the various aspects of life in details. Today, we will try to talk about Ju Fufu’s distinctive “Popcorn Pot” skill in Absolute Zone Zero, and use it to look at the mental state of modern people and appreciate the irony and metaphor contained in this game setting.

    Ju Fufu’s ordinary attack action is a three-stage combo, and the action is coherent and fast, just like the busy life of people in the secular world day after day. The three-stage continuous attack seems to coincide with the reality that life is difficult but has to move forward, as if it is the mechanical labor of people in the city-one hammer after another, hammering the predetermined fate. At this moment, the “popcorn pot” is no longer a cooking utensil, but a symbol of spirit, silently carrying the hard work and expectations of countless people.

    The design of the “imbalance” value attached to the attack cleverly implies the fragility and subtlety of social relations. The accumulation of imbalance is like the roller coaster of modern people’s emotions, which will cause waves at the slightest disturbance. Social pressure is like the imbalance value, gradually accumulating until it explodes. The complex interpersonal relationships and emotional entanglements described by Qian Zhongshu in “Fortress Besieged” are just like this: people wander in the “Fortress Besieged”, facing the danger of imbalance at all times, but they have no choice but to compromise and cater to it.

    Ju Fufu’s dodge design is short-press invincible sprint, long-press high-speed rotation, just like the two ways modern people deal with pressure. Short-press escapers are “head-down tribes” who temporarily retreat under the pressure of reality; long-press rotation is a symbol of inner anxiety and resistance, as if they are struggling to find self-salvation in the repetitive life day after day. This “duality” is a common trait of Qian Zhongshu’s characters: they want to survive steadily and desire self-breakthrough.

    The design of the “heat” mechanism is full of meaning. The rising heat seems to represent the increasingly anxious emotions in people’s hearts, like ants on a hot pot, the harder they resist, the harder it is to calm down. Ju Fufu’s continuous attack accumulates heat, representing the tense state of modern people in a highly stressful society. When emotions accumulate to the critical point, they are inevitably out of control. Qian Zhongshu once said in his prose, “Life is like food in a pot, and you know whether it is hot or cold.” This is exactly reflected here.

    The flame rotation of the popcorn pot in the enhanced special skill is nothing less than a spiritual eruption. Flame symbolizes passion, anger and resistance. Ju Fufu’s skill enhancement is like the vitality that occasionally bursts out of modern people, finding a sense of existence and freedom in mechanical repetition. Qian Zhongshu also described the spiritual world of people as “tangled”, and only when it is accidentally untangled can its mystery and beauty be seen.

    The joint skills and finishing skills highlight the necessity of teamwork and the isolation of individuals. Ordinary joint protection of teammates implies the invisible dependence and watchfulness between people in real life; the finishing skills are the ultimate expression of individual explosion, which not only highlights personal strength, but also reveals loneliness and helplessness. Qian Zhongshu is good at depicting the complex entanglements between people. This tension of “dependence and isolation” is just like the epitome of the society in his writing.

    The support skills of quick support and parry support are not dazzling, but extremely important. They are like those ignored silent contributors in life, supporting the entire system. Qian Zhongshu often has high hopes for these “little people” in his works, believing that they are the real backbone of society.

    The core skill “popcorn pot automatic attack” brings continuous flame attacks, which symbolizes persistent efforts in life. Ju Fufu does not need to do it himself all the time, but can still output steadily, just like those people who are inconspicuous but struggle for a long time in life. Qian Zhongshu’s humor is full of praise for “unknown heroes”, which is exactly his spiritual portrayal.

    In the imagery shadow skill, the flames are constantly dancing, which means both destruction and purification and rebirth. Ju Fufu dances in the flames, as if interpreting the impermanence and hope of life. In Qian Zhongshu’s writing, the world is like a play, life is like a dream, and only by finding a ray of light in the chaos can there be meaning in living.

    In summary, Ju Fufu’s skills are not just game settings, but also a mirror reflecting the mental state of modern people. It reveals the way modern people struggle with pressure and anxiety, and also shows the tenacity and humor in human nature. If Mr. Qian Zhongshu were alive, he might laugh at such a design, lamenting the fickleness of the world, while still not forgetting to ridicule the various aspects of the world.

  • The success that everyone is looking for may just be the deepest peace and freedom in their hearts.

    The pressure of life often makes people breathless. For Ju Fufu, these oppressions are like an endless haze, shrouding her life. She has tried many ways to get rid of these oppressions and confusions, trying to find the “answer” that can guide her. But every time, she wanders in nothingness and confusion. She once thought that success and happiness were external yardsticks and the criteria given by others, until she found that the so-called “answers” she was chasing were actually just an escape from her heart.

    Life is not as smooth as she expected. Around her, it seems that everyone lives a glamorous life, and it seems that everyone is constantly making progress and moving towards the pinnacle of success. But she herself, however, remains where she is. She once had restlessness, anxiety and confusion. She asked herself: “Why can’t I always live as calmly as others? Why can’t I keep moving forward like those successful people?”

    But all these questions finally have answers after she gradually went through every stage of her life. She found that the meaning of life is not simply to pursue external recognition and success, but to reconcile with oneself, to find the place that belongs to oneself from the depths of one’s heart, to accept and tolerate all imperfections and shortcomings.

    Constantly pursuing external success, but finally found that the most important thing is inner peace and self-knowledge
    Ju Fufu’s growth process is full of reluctance and struggle. Since childhood, she has been living under the pressure of pursuing external recognition. She wants to succeed, want to get the envy of others, and want to be recognized by society. She studies hard and works hard, almost every day she is forced to suffocate. However, after so many years of hard work, she still feels empty and confused.

    She once thought that her happiness and success were hidden in the standards defined by others, in those praises, honors and material satisfaction. But as time passed, she gradually realized that the so-called success is not the ultimate goal, it cannot bring people real satisfaction and inner peace. Ju Fufu began to doubt: “Am I always working in the wrong direction? Is it that what I pursue is not what can really bring me happiness?”

    She understood that all the efforts and pursuits were not for the recognition of the outside world, but for the peace and satisfaction of her heart. The real success should be to reconcile with oneself, to find the calmness and tranquility that belongs to oneself in the complicated world.

    No need to compare with others, just walk side by side with your past self
    For Fufu, the most difficult thing is not how to move towards the success of the outside world, but how to let go of the burden in your heart and find the balance of reconciliation with yourself. She once had such a confusion: Why are others moving forward, but she is stagnant? This question troubled her for a long time, but in the process of her gradual maturity, she gradually understood a truth: the real power does not come from surpassing others, but from reconciling with the past self, accepting her past shortcomings and failures, and drawing strength from these experiences to move forward.

    Fufu finally understood that everyone’s growth trajectory is unique. She does not need to compare with others, and does not need to pursue those illusory goals. All she can do is to make progress slowly at her own pace and become a better person. She no longer seeks comfort and guidance from others, but begins to discover the true peace and strength from her own heart.

    Facing the ruthlessness and injustice of reality, keep your heart clear and tenacious
    Fufu’s heart was once full of anxiety and fear. She was afraid of others’ evaluation of her, afraid of her own failure, and afraid that the future was full of unknown fear. In countless lost nights, she had lost herself and even thought about giving up. She doubted whether she had enough courage to face the injustice and cruelty in life.

    However, it was in these setbacks and difficulties that Fufu gradually realized that the meaning of life is not to live a perfect life, but to learn to find yourself in imperfection. No matter how the outside world changes, how unfair it is, we can still choose to keep our hearts clear and tenacious. What we can do is not to control everything, but to learn to accept everything and find the motivation to move forward in acceptance.

    In this process, Fufu learned how to face the unsatisfactory things in life calmly. She knows that true courage is not fearlessness, but the ability to stick to one’s beliefs and keep moving forward in the face of pain and challenges. She has learned to compromise with the world and reconcile with herself. She knows that the road of life is not smooth, but she can still go on firmly, because she no longer looks for answers from the outside world, but has learned to find peace and strength from her heart.

    Live your truest self without taking external evaluation as the standard
    Fufu once spent a lot of time on external evaluation. She cares about what others think of her and longs for recognition and praise. She constantly pursues those seemingly glamorous achievements and wants to shine on the stage of society. However, after a long time, she found that this kind of external evaluation could not bring her real satisfaction, but made her more lost.

    She began to realize that the meaning of life does not lie in the eyes of others, but in whether she can live her truest self. She no longer forces herself to cater to the expectations of others, but begins to respect her inner voice and respect her own choices. She knows that her value does not depend on the recognition of the outside world, but comes from her true acceptance of her heart.

    She understands that true freedom comes from not being bothered by other people’s evaluations, but being able to face oneself calmly, do what one wants to do most, and live the most authentically. Only when we are no longer swayed by the standards of the outside world can we find our own happiness and tranquility.

  • The magical realism and struggle of human nature in modern games can be seen from the complexity of the materials for the cultivation of Xia Kong in Mingchao

    The list of materials for the cultivation of Xia Kong is like the magical legends circulated under the old locust tree at the head of the village, full of exotic flowers and plants, and stained with the breath of magical realism. The unfamiliar names of crystallized phlogiston, tide-eroded sail core, and burning phosphorus bone are like stardust falling from the sky, sticking to the fingertips of players and sticking to their souls. This long list of materials is a spider web woven by modern game designers, which tightly entangles players, like an old farmer working non-stop in the autumn harvest season, harvesting the virtual fruits that cannot be escaped.

    I remember when I was a child, the old man in the village said that the gods in the sky would also send messengers to bring various trials. Whoever can complete them can pick the stars and embrace the moon. Today’s Xia Kong cultivation materials may be the test brought by the messenger. The impure, crudely extracted, distilled, and highly pure crystallized phlogiston are layered and stacked, like a winding stream in a valley, advancing layer by layer, with a clear and cold feeling, but people can’t stop looking for it. Players are like children running errands in the village. In exchange for a sharp hoe, they walk through muddy fields, brave the wind and rain, how hard it is.

    And the “Golden Fleece” is no longer a golden treasure in mythology, but a hard bone in the game economy. The rule of limiting purchases to 15 pieces is like the old rules in the village. People can’t eat a fat man in one bite, but can only gnaw slowly. Whoever can own the Golden Fleece is like an old farmer who has obtained the fertilizer given by God, which can make the crops harvested. Everyone is jealous, and some people hate it. The limited and precious resources of this kind in the game reflect the helplessness and resistance of modern society to the unfair distribution of resources. The competition among players is like the shouting and collision of farmers when they rush to harvest fruits, which is warm but helpless.

    The tidal sail core is like the surging waves in the deep sea, and every drop brings surprise and disappointment. Players, like fishermen, cast nets in the boundless sea, hoping to catch the fattest fish, but often only a few dried fish and broken nets. Repeated brushing of materials is not only a gameplay, but also a portrayal of the villagers’ labor year after year: despite the hard work, they still have to persist, because that is life and a ritual that must be completed.

    The existence of the material “stuffed meat tofu” is like a hot meal served by the mother in the village, cheering up the children who have worked all day. Its design of increasing the material drop rate is like adding a little seasoning to life, adding a little flavor and hope to the monotonous life. In the repeated and tiring “brushing”, players rely on this little “welfare” as if relying on the bowl of hot porridge in their hometown to support their spirit and strength.

    The world of the game is so complicated, and the list of materials is so huge, but it just reflects the complexity and helplessness of reality. Modern people are like players in this virtual world, kidnapped by heavy tasks and endless requirements, constantly looking for a way out in the maze of life. The design of the cultivation materials makes people feel anxious, but they can’t bear to abandon them. The contradiction of wanting to break free from the shackles but being unable to give up is a true portrayal of the hearts of contemporary people.

    Xiakong’s cultivation materials carry a strong mark of the times and an ancient rural atmosphere. In a world where virtual and real are intertwined, players are like the tenacious farmers in the village, trapped by the environment and working hard to open up their own fields. The struggle and grinding in the game are like the farming and harvesting of farmers, sad but real, rough but full of vitality.

    Mo Yan once said that the countryside is a magical place, and the cultivation system of modern games is also a magical realist performance. The complex materials are not only the rules of the game, but also the endless struggle and hope in people’s hearts. The materials for developing Xia Kong in the game are like the land of his hometown, muddy and overgrown with weeds, but full of the power of life, waiting to be understood and surpassed.