As a core character in Mingchao with both healing and output functions, Brant’s development is not only a matter of skills and strategies, but also contains profound historical philosophy and aesthetic significance. The perspectives of “historical materialism” and “aesthetic humanism” proposed by Mr. Li Zehou bring new dimensions to our understanding of Brant’s character.
First of all, Brant’s skill system embodies the dialectical unity of “function and form”. The two core skills of resonance loop and resonance liberation not only serve the healing and shield functions in the game, but also carry the expression of character aesthetics. The dual identities of healing and output show a philosophical proposition of “unity of opposites”: the rigidity of strength and the softness of emotion coexist in the same character. Brant is both a solid protector and a powerful output. This complex characteristic reflects the complex identity issues of individuals in modern society.
From a historical perspective, Brant’s image and ability design are just like the ideal personality of “both civil and military” in traditional Chinese culture. In ancient China, civil governance and military exploits were regarded as the symbol of perfect integration. Brent’s combination of treatment and output just responded to this historical and cultural tradition. Through the process of character development, the game actually conveys this cultural value in a subtle way: that is, the power of the individual should serve the harmony and stability of the whole.
From an aesthetic perspective, Brent’s skill design also embodies the principle of “functional beauty”. The layered “applause” mechanism of the resonance loop is not only a set of complex data calculations, but also a rhythmic art of vision and operation. The continuous release of skills and the increase in the number of layers form a dynamic aesthetic experience. Players get not only the satisfaction of winning the battle, but also an aesthetic enjoyment of “sense of rhythm” and “sense of harmony”. Li Zehou emphasized that the root of aesthetics lies in the harmonious relationship between people and the world, which is vividly reflected in Brent’s development process.
When it comes to development strategies, the dialectics in resource allocation cannot be ignored. The choice of weapons and sound remains is a process of “quantitative change leading to qualitative change”. For example, the combination of the “Immortal Route” weapon and the “Fearless Waves” sound shell, through the reasonable superposition of elemental charging efficiency and attack power, achieved a double leap in Brant’s output and treatment. This process is the concrete embodiment of the philosophical principles of “accumulation” and “leap” emphasized in dialectical materialism.
In addition, the team matching strategy reflects the system philosophy of “the whole is greater than the sum of its parts”. The reasonable combination of Brant and characters such as Changli, Jinxi, and Zhezhi has formed a multi-level ability superposition and mutual promotion. The overall combat effectiveness of the team is maximized through the organic collaboration of each character, which is not only the design ingenuity of the game mechanism, but also reflects the philosophical thinking of collectivism and synergy.
The priority of skill upgrades, from ensuring the treatment foundation to improving attack power, and then to optimizing continuous output, reflects a development logic of “foundation first, gradual development”. This is consistent with the ideas of “Tao follows nature” and “gradual progress” in traditional Chinese philosophy, emphasizing that any growth and development must be rooted in a solid foundation.
In a broader cultural context, Brandt’s development process can be seen as a metaphor for the “multiple values” and “individual responsibilities” of modern people. In contemporary society, the challenges people face are becoming increasingly complex, and characters must assume multiple identities and responsibilities. Brandt’s dual positioning just reflects this social reality, reminding players that while pursuing personal growth, they must also assume the responsibility of protecting the group.
Finally, extending from Li Zehou’s “Aesthetic China” thought, Brandt’s design and development process also embodies the concepts of “humanism” and “harmony between heaven, earth and man” in Chinese culture. The balance between skills, the rhythm of development, and the cooperation of the team are all game-based presentations of the value of “harmony”. Through a deep understanding of Brandt, players can not only improve their strength in the virtual world, but also feel the influence of cultural traditions and philosophical wisdom.
In summary, Brandt’s development is not only a technical issue, but also a philosophical proposition with rich cultural connotations. Through the perspective of historical philosophy and aesthetics, we can have a deeper understanding of the significance of this role, so as to gain a richer spiritual enjoyment in the game experience.
Are you willing to experience this cultural heritage and philosophical meaning that transcends time and space during your journey of raising Brandt?